Katherine, a high-powered executive who believes men are intimidated by her career, is persuaded by her friend to create an internet dating profile claiming she is an executive assistant.

李亦凡將自己的創作過程描述為藝術家與軟體之間的死亡決鬥，他竭力開發自己的錄像製作工具，也借助電玩遊戲引擎的3D動畫，來進行即時影像的即興創作，藉此思考時空在遊戲中彷彿暫停的奇異感受。作品《難忘的形狀》探討影像生成工具衍生出的社會倫理問題，並預示未來視訊技術將會透過全景投射的技術，來建構出全新的生命政治學。

李亦凡將自己的創作過程描述為藝術家與軟體之間的死亡決鬥，他竭力開發自己的錄像製作工具，也借助電玩遊戲引擎的3D動畫，來進行即時影像的即興創作，藉此思考時空在遊戲中彷彿暫停的奇異感受。作品《難忘的形狀》探討影像生成工具衍生出的社會倫理問題，並預示未來視訊技術將會透過全景投射的技術，來建構出全新的生命政治學。

在印尼的雅加達的工人住宅區裡，有個三代同堂的家庭，信奉天主教的62歲母親，與信奉回教的兒子和孫女一同生活著。老母親經歷了社會政治變動時期，印尼的最大宗教勢力回教徒，則為了鞏固他們的勢力而掌控著社會制度。政治社會的衝突，同樣在這個家庭上演，由一個微小的家庭單位，來窺見大時代的變化。

在印尼的雅加達的工人住宅區裡，有個三代同堂的家庭，信奉天主教的62歲母親，與信奉回教的兒子和孫女一同生活著。老母親經歷了社會政治變動時期，印尼的最大宗教勢力回教徒，則為了鞏固他們的勢力而掌控著社會制度。政治社會的衝突，同樣在這個家庭上演，由一個微小的家庭單位，來窺見大時代的變化。

Shot in a creaky, wooden-floored Parisian recording studio at an inaugural three-day “forum of ideas” focusing on the manifold possibilities of “Resistance” (the title of Jean-François Lyotard’s unrealized follow-up exhibition to his 1983 “Les Immateriaux”), occasional collaborators Ben Rivers and Ben Russell have produced what initially appears to be a structuralist document of a philosophical discussion in-the-round. This “appearance dimension” is deceptive, of course, and with the aid of an immersive 5.1 sound-mix, a Green Man, a Green-Man-shaped-Infinite-Void, a dose of kinetic digital magic (courtesy of US-based artist Peter Burr), and an impressive cast of thinkers, critics, curators, and artists, a document of Resistance slowly transforms into The Rare Event – a portal that joins all dimensions into one.

Shot in a creaky, wooden-floored Parisian recording studio at an inaugural three-day “forum of ideas” focusing on the manifold possibilities of “Resistance” (the title of Jean-François Lyotard’s unrealized follow-up exhibition to his 1983 “Les Immateriaux”), occasional collaborators Ben Rivers and Ben Russell have produced what initially appears to be a structuralist document of a philosophical discussion in-the-round. This “appearance dimension” is deceptive, of course, and with the aid of an immersive 5.1 sound-mix, a Green Man, a Green-Man-shaped-Infinite-Void, a dose of kinetic digital magic (courtesy of US-based artist Peter Burr), and an impressive cast of thinkers, critics, curators, and artists, a document of Resistance slowly transforms into The Rare Event – a portal that joins all dimensions into one.